《極度恐慌1983》講述什么樣的故事？
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
1、《極度恐慌1983》是在哪一年上映的？
《極度恐慌1983》是Jacinto,Molina于1983年拍攝上映的一部經典恐怖片。此片開創了西班牙當代恐怖片的先河，《極度恐慌1983》上映時票房穩坐國內外前三，創下當年最佳紀錄。在當時Paul,Naschy,Julia,Saly,Lola,Gaos均為最佳演員，Paul,Naschy,Julia,Saly,Lola,Gaos以精彩演技和完美的形象，奠定在西班牙影視地位。Paul,Naschy,Julia,Saly,Lola,Gaos飾演角色多年后仍為大眾爭相模仿。Jacinto,Molina之前曾被人懷疑其能力，而《極度恐慌1983》卻奠定Jacinto,Molina恐怖片風格。《極度恐慌1983》首映時曾獲海外恐怖片和媒體廣泛好評，被認為其優秀程度，是足以與同時期（指1980年代）好萊塢（好萊塢）優秀恐怖片齊名。
2、被稱為恐怖片的開先河之作的《極度恐慌1983》，是Jacinto,Molina最好的作品嗎?
從Jacinto,Molina斬獲恐怖片最佳導演 我就覺得這部《極度恐慌1983》是他最好的恐怖片。雖然Jacinto,Molina后來還拍出來了評價特別好的恐怖片，但是《極度恐慌1983》是他恐怖片的代表作品。
3、《極度恐慌1983》為什么能成為經典之作？
提起西班牙恐怖片，人們就肯定會說出《極度恐慌1983》的名字。這部由Jacinto,Molina導演，Paul,Naschy,Julia,Saly,Lola,Gaos主演的《極度恐慌1983》，在當時，真的是成為了一匹黑馬，殺出了一條血路，創造了一個奇跡。為何會這么說，我想，就連Jacinto,Molina導演和Paul,Naschy,Julia,Saly,Lola,Gaos，都沒想到這部恐怖片會得到這樣好的反響。Jacinto,Molina先生曾說過，這是一群失意的人湊到了一起創作出來的一部作品。因為在《極度恐慌1983》開拍之前，Paul,Naschy,Julia,Saly,Lola,Gaos已經有4年無戲可拍，而Paul,Naschy,Julia,Saly,Lola,Gaos主演的恐怖片，票房始終不理想，這樣的幾個人湊在了一起，也真是緣分！所以，正是這樣的失意感和強烈的自尊心，他們在恐怖片中投入的熱情，是我們難以想象的，其實《極度恐慌1983》中的人物心理歷程和感人的劇情，何嘗不是現實中他們的真實寫照呢？所以，他們懷著一腔心有不甘的英雄氣，用他們的實力和人情成就了這部經典恐怖片，也成就了他們自己！
4、如何評價《極度恐慌1983》?
《極度恐慌1983》口碑非常好深受廣大觀眾喜愛，《極度恐慌1983》一經播放立刻引來無數人關注，不僅Paul,Naschy,Julia,Saly,Lola,Gaos演的好而且該恐怖片故事情節也非常緊湊，神馬影院（www.lyijob.com）觀看起來特別流暢同時還能扣人心弦，即使目前《極度恐慌1983》收視率不佳但是該片目前受歡迎程度已經蒸蒸日上。該恐怖片主演Paul,Naschy,Julia,Saly,Lola,Gaos，她在該恐怖片中的演技可圈可點，受到Paul,Naschy,Julia,Saly,Lola,Gaos演的好而且該恐怖片迷的認可。
5、《極度恐慌1983》恐怖片的主要內容
《極度恐慌1983》是一部恐怖片恐怖片，由導演：Jacinto,Molina執導，主演：Paul,Naschy,Julia,Saly,Lola,Gaos，
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
6、《極度恐慌1983》是Jacinto,Molina導演的一部經典的恐怖西班牙片大全，該劇講述了：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest ，想看更多的相關影視作品，請收藏我們的網站：www.lyijob.com
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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